You Made a Collage, But That Doesn't Give You Rights In the Underlying Work

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You Made a Collage, But That Doesn't Give You Rights In the Underlying Work

The longer I practice law, the more I recognize certain “seasons” in my work; sometimes I’ll have a period where all my clients are filmmakers. Perhaps six months will go by where all my work revolves around trademarks in some way. Maybe I’ll have ten people in a row ask me about indemnity clauses. Lately many of my clients or prospective clients are visual or graphic artists producing collages. And they all want to know the same thing: can they use the work of others in their collages?

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On Whether You Can Use Someone Else's Copyrighted Work As Reference Material For Your Own

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On Whether You Can Use Someone Else's Copyrighted Work As Reference Material For Your Own

"As part of my (illustration) process, I source and screenshot or drag images of people, places, and things from Google (usually stock photos) which I then combine and trace to create my illustrations. It would be hard for any of these stock photos to be identified outright in my work, as they are mainly used as the skeleton for postures and environments in my drawings. They are transformed by my invention of things like clothes and other details, and by my linework 'style.' What do you think of this? Am I doing anything legally risky?"

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You Made a Collage, But That Doesn't Give You Rights In the Underlying Work

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You Made a Collage, But That Doesn't Give You Rights In the Underlying Work

The longer I practice law, the more I recognize certain “seasons” in my work; sometimes I’ll have a period where all my clients are filmmakers. Perhaps six months will go by where all my work revolves around trademarks in some way. Maybe I’ll have ten people in a row ask me about indemnity clauses. Lately I’ve been in a season where clients are visual or graphic artists producing collages. And they all want to know the same thing: can they use the work of others in their collages?

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The Work For Hire Doctrine - A Primer For Freelancers

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The Work For Hire Doctrine - A Primer For Freelancers

I've never actually explained the Work For Hire doctrine in any meaningful way. I've only tiptoed around it, and that's just ridiculous when you consider the fact that artists generally aren't independently wealthy and need to work for a living. Since most artists make their living by creating their work on someone else's dime, that means they're relying on the Work For Hire doctrine even when they don't realize it.

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Copyright Versus Trademark: What’s the Difference?

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A few weeks ago, Taylor Swift (yes, her again) filed for trademark protection (again) for various catchphrases related to her latest album, 1989, such as “This Sick Beat” and “Swiftmas.” Even though musicians do this all the time for merchandising purposes, for some reason it’s particularly newsworthy when Swift does it. But what grabbed my attention this time wasn’t the inexplicable backlash she got (if Ed Sheeran had done it, would people have been so quick to judge?), but the factually inaccurate headlines that went along with it.

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